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After the putting in wave of the first episode of Naruto on Italia1, it is possible to make some considerations. ACRONYM The animated series part with a prologo that explains what has happened 12 years before the effective beginning of the series, for being then continuation from the acronym. Also stavolta we find concepts like friendship and love to the inside of the Italian acronym, than by now they characterize for a long time ours opening. However, the text has one strongly pertinenza with the rest of the series and seems nearly comes sung from the same Naruto, since it speaks about the solitudine and the availed again one, characteristic peculiar of the protagonist of the history. NAMES and ADAPTATIONS With the exception of Dragonball and One Piece, where the voices of the personages in more of the cases have a connection with the tone originate them, at least for how much concern the voices heard in the first episode of Naruto, have been attempted to use a tone adapted to the personage, more than to an attitude to that one of the master Japanese (often obtaining turn out to you unpleasant). Ahimè, as way has been already had to hear from the promo Italian in wave from a pair of weeks, pronounces it phonetics of the name of the protagonist is changed, and not only unfortunately: also that one of its amico/nemico Sasuke (error that had not been store clerk in the doppiaggio of Dr. Slump & Plows them, with the personage of Pisuke). Null to eccepire on the up to now shown techniques, inasmuch as the name of they corresponds to that one used from Comics Sandwiches in the Italian adaptation of the manga from which the animated series is draft. If we want to be pignoli, the Technique of the Erotismo has become Technical Seducente, but we remember ourselves that in other context, some year it even makes, neanche we could not have seen this technique thanks to cuts and censorships of the case. Therefore we can consider the rather tolerant thing. Appreciable the fact that the Ramen - flat preferred of Naruto - is remained such and not is transformed in Spaghetti, like often happens in various Japanese series. VIDEO The logo it is remained that one originates them, and the title is not followed it from no subtitle Italian it of doubt taste (but before gioire, it will be the case to wait for the interruption in order to double a new cycle of episodes that then will figure like "second series"...). Also shielded of the title it he is rather faithful: rather than to have a firm opaque image and the title it in sovrimpressione, we have one shielded darker and interlacciata with the title pronounced it from the protagonist. _ the Technique the Seducente be be private of color, although the girl not figure knot but cover from the smoke of the same technique, while be be remove the scene in which Iruka lose the blood from the nose after have see the technique over cite, for be replace from photogram to rallenty of the same Naruto transform. AUDIO To beginning episode, while Naruto escapes from the pursuit of some Ninja after to have smeared been representing the faces of the Hokage, it would figure in foundation to the scene the opening of the first season, "Rocks" of the Hound Dog, instead in the Italian edition this song has been removed, leaving single space the voices of the personages. For how much it concerns the rest, with the exception of Shaman King, Yu-Gi-Oh! and Pokèmon, Naruto has the fortune to maintain the beautifulst one intact and charismatic sonorous column originates them, without to endure no stravolgimento from part of the USA. STRAVOLGIMENTI One only in this first episode: when Naruto supports the examination to the Ninja Academy and it fails it, Mizuki says to not deserving Iruka that the boy is not to the height of its companions and therefore of the promotion. The titubante man agrees and approves of the bocciatura of Naruto. In he originates them instead, happened all the contrary! Mizuki will be to favor of the promotion of Naruto although its technique is unripe and incomplete and Iruka disapprovando on all the line, decides of bocciare the boy. Ugly boat-hooks, since Mizuki has pronounced such words in front of Naruto (than in the successive photogram happy one of the words of the man is demonstrated for the note much...), in order to ulteriorly earn its discapito confidence to of the shooting that would have played to it little later. PLEASANT SURPRISE the names originate them (seppur pronounce you badly), the qualification of Hokage and of Head Ninja or Supreme Ninja and the presence of Ramen anzichè Spaghetti are not senz' other appreciable one, and boast a greater connection to the Italian adaptation of manga let alone the cure for the same series (towards which Mediaset I presume nutra many expectations). Equally gradevole it has been to see that to fine episode figure the preview of the successive one, what that was not touched to no other series between those over-cited! TOTAL If compared to it originates them, this adaptation catches up the sufficienza scarcely; compared instead to other adaptations of Mediaset house, this series seems to have left with upsets, demonstrating a not indifferent cure. Obviously an episode is still too much little in order to judge the acts carried out on the entire series (that it is still in course with 200 episodes to its assets, 3 cinematographic OAV and 3 films), but the premises are tutt' other that negative.

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to we consume every day or nearly, in all form to you and in very many prescriptions. To the foreign one they know to us also like the people of the maccheroni or the spaghetti. In the whirling one to run of the life today a simple plate of spaghetti to the tomato remains a fast meal and to the capacity of all. But when is been born the paste? When the human society has begun to consume some? Perhaps in the preistoria, when our ancestors have roughly sfarinato a granaglie fist, they have pasted it with a po' of water and cooked before on roventi stones and, then, in hot water. Historical testimonies The historical testimonies refer to the roman period. Cicerone and Orazio were ghiotti of lagana, plurale of laganon, correspondent to the Greek laganoz: a crushed flour strip not leavend, cooked in water that, to say of several connoisseurs, would correspond to ours lasagne and that it is still present in the kitchen peasant under shape of that flat prelibato constituted from "lagane and ceci". In the "coquinaria De king books" Apicio describe a timballo contained in one lagana shirt. In the Evo Mean to Trabia, in Sicily, in front age to the spread of the Million Marco Polo, a type of paste "to threads" was produced and still today to Palermo it is spoken about vermicelli of Tria. That spaghetti and vermicelli are not Chinese an Arabic invention rather than? Etimologia of the term The same term maccheroni does not have a preciser origin: paste indicated in origin one ripiena, of the type of our ravioli; subsequently with "macaronis" the gnocchetti were designated Sardinian of the type malloredus. Also the filologia has been interested to this word identifying some the Greek origins in macaria, paste of I luff and brodo, or in macar, blessed soul, and therefore food of happy men, made happy. The two terms come used however in confused way end when in the 1700 long paste, trafilata do not enter in the kitchen, the custom and the daily paper of the Neapolitan people, than it definitively identifies it with the name of maccheroni; they sold themselves already cooked to the angle of the roads flavored with the solo know them and pepper, were a poor, simple but fast food and nourishing. From the 1800 long, round, full paste it was connoted with the term "spaghetti". Artistic testimonies Being it enters in the mentality of a population the maccheroni to you could not remain outside from the artistic testimonies. In the 1500 Teofilo Folengo it already composes the those most likeable pages of its maccheronica poetry: a compound of Latin and Italian in Latin desinenze, in which maccheronico it was synonymous of rough, contrapposto to the academic language of the scholars. From then and he for maccheronico one agrees style, way of a little orthodox, confusionario porsi. S enza to want to trace a examination of all the works that deal this argument, ago of need to signal the poema giocoso of Antonio Viviani published in 1824 with the title it "Them Maccheroni": such work is important not only because the several ones are described to you poeticamente are made of the working of the paste, from the flour to the maccherone, but also because for before the time the word appears "spaghetti". From the 1500 Caterina of the Doctors it diffuses in France the use of the paste; ignota the date of introduction in England, but already in 1700 was mentioned in a technical dictionary of that age, to which laughed them also one famous commedia entitled "The Macaoni". To the end of the same century it is diffused also in the United states, introduced thanks to the Jefferson politician, than it had known it and appreciated in a its travel in Italy, becoming some also a good consumer or also and above all thanks to the many already present Italian e'migre's on the ground American. top The members The paste is the simpler and natural food that exists: semola of hard grain and water. Nient' other. Not there is does not know them: to conserve enough the natural drying; not there are points out to you chemical of risen; not there are coloring; the natural yellow of the paste is that one of the sun opportunely absorbed from the grain in maturation. The ties with the grain are tight, and analyzing well, it notices to us that from the chicco to the semola, to the paste the composition is the same one: one does not get lost null the members. Semola grain hard grain Paste Water 13% 12% 12,5% Proteins 11,4% 11% 11,5% Fat people 1,8% 1,9% 1,2% Carbohydrates 72% 72% 74% In the molitura of the grain, since the Biblical times, are separated the bran and for destined to the zootechny. In a crude flour, and therefore in a crude paste, the value of proteins would be higher but the crude fiber, not being absorbed, comes eliminated with insufficient uses. For being able to comprise in correct way the nutrizionale function of the paste a double precisazione becomes necessary that suit and render us concrete the speech. The elements that compose the human body are: Water 65% Proteins 19% Fat people 10% Knows Them Mineral 5% Carbohydrates 1% Such elements confer to the organism measurable energy in calories, for which nourishing itself it means to reconstitute those substances that they have been burnt. Every element brings of the calories in way but more or less balanced, in reason of the substances that it contains, for which us they can be also foods that, to parity of calories, are assimilates to you in deeply various way. I point out more detailed then is prevailed for proteins, the pillars of our cells: in they they are present approximately twenty various amino acids, many of which daily are reconstituted from the organism, than but it is not in a position to produrne nine: the essential amino acids, that they must therefore be introduced in the organism by means of the nutrition. Much premising, we specify that spaghetti or other scondita paste supplies 350 calories for 100 grams. C$r-with regard to its members the starch, that it constitutes the greater percentage in the within of carbohydrates, is an optimal energetic source and is of high digeribilità; equally valid adult person turns out the contribution of proteins concurring to catch up the 2,800 necessary every day calories to one. From the point of view of the calories therefore the paste it is a balanced food, that it becomes also complete, after to have been flavored. From always in fact, also before that the tomato landed in old Europe, the antichi, ancorché fasts of alimentary chemistry, used to flavor maccheroni with honey or the other spezie: the condimento never did not lack is for insaporire the paste is in order to complete of the nutrizionale value; they used especially of the cheese, that it adds the lisina, the essential amino acid of which the pastasciutta he is devoid, creating a complete food; richer condimenti can make of a plate only, as of the rest it was in origin, when the empty pockets did not allow lunches from the several capacities. top The studies on the paste "If you more want living healthier and to along, you nourish yourselves as always the peasants of southern Italy have nourished themselves." "To eat well well and star" of To Keys. Dottor the D.R. Hodgdon, chancellor of the University of New York, President of the medical College of Hannemann and the Hospital of Chicago, in a its relationship to the National Institute American of the alimentary products, recommended to increase the use of the paste integrally (bringing back)"for its digeribilità; ... it moreover nutre vigorous subjecting the apparatus digesting to one the minimal effort; ... it contains a very small trace or it at all does not contain pregiudizievoli substances to the system of is gone blood and to the liver; ... it does not produce urico acid. It constitutes therefore a useful food and favorable for who it suffers from lumbagoes, reumatismi, arteriosclerosis, gotta, diabetes.; For the small the paste is an exceptional food is for the lively nourishing action is for the fast and easy digestion. ... In truth the rimarchevole paste supplies to the organism one sum of vigor and energy. Speaking about paste I refer to a type that he is truly excellent, gained com' is from the rich hard grain of proteico content... The paste for how much is not in rich special iron way, of it contains how much the latte ones, for one hundred calories of nourishing power. Its content in iron is comparable or advanced to that one of the rice, the walnuts, the honey, the juice of grape, the flour of frumento, the walnut of coconut. And then the paste contains supplied phosphorus... more than double than that one from potatoes, once and half in soccer, the same amount or little more in magnesium and not less than six times in solfuro. All these elements are essential... sicchè the maccheroni just because it gives to our such body rich contribution of mineral substances, must take care of as one of foods of greater value to use itself in mixed diet with other alimony. A remarkable increase in nourishing value still is carried from the added one of tomato and cheese; in truth all the vitamins that are known are present...; the vitamin that promotes the antirachitic development or, that one that regulated the digesting mucosa preventing disturbs gastro - internal, the bad nutrition and the anemia or antigastric vitamin, that one that prevents scorbuto and the neuritises or antiscorbutic and antineuritica, all are present ". All it sends back us therefore to the studies lead from the other famous nutrizionista American, prof. the Angel Keys, in the within of the Seven Countries Study in very seven countries of three continents on 12.000 champions comprised between the 40 and 59 years, let alone to the most famous work entitled "To eat well well and star", in which he filler years of studies and experiences conduct not only in the society American but also and above all during its stay in Italy, to Policastro in province of Salerno. It had noticed in fact that the population local peasant was nourished of paste, bread, yields, verdura, very many legumi, optimal oil extravergine of olive, little fish, least meat; these last two voices little affected the feeding for not chosen but for poverty and synonym of poverty their feeding was all, than but it had one fallen back positive incredible: the incidence in gastrointestinal and cardiovascular diseases was the much lowest one that in the society American. Of this it convinced the Commission of the Senate American and nacque therefore the Mediterranean Diet understanding like life rule that is based on the revaluation of the verdure and the products in kind of Mediterranean agriculture, of the pastasciutta flavored with oil and tomato, a lot revalued today in the same American society. top The norm And eccoci hour, in the part relating to the paste of semola of hard grain, to giving one fast past to the norm that disciplines to the working and commerce of the cereals, the sfarinati ones, the bread, and alimentary pastes: law 580 of the 4 July 1967 has been modified from the 9 DPR February 2001, n°187 published on the Official Gazette n. 117 of 22 May 2001 HEAD II - PASTE Art. 6 - Paste 1 They are calls "paste to you of semola of hard grain" and "paste of semolato of hard grain" the products obtained from the trafilazione, lamination and consequent drying of pastes prepares to you respective and exclusively: a) with semola of hard grain and water b) with semolato of hard grain and water 2 "paste of integral semola of hard grain" is called the product obtained from the trafilazione, lamination and consequent drying of paste prepared exclusively with integral semola of hard grain and water. 3 the destined paste to the commerce can be only produced in the types and with the following characteristics: Type and Denomination Humidity max Ashes min Proteins min max Acidity max Paste of semola of Hard Grain 12,50 -- 0,90 10,50 4 semolato Paste of of Hard Grain 12,50 0,90 1,35 11,50 5 Paste of integral semola of Hard Grain 12,50 1,40 1,80 11,50 6 4 But previewed how much from the art. 12, codicils 1 and 4, are prohibited the paste fabrication sand bank prepared with sfarinati of tender grain. 8 the paste produced in other Countries in all or part with sfarinati of tender grain and mail in sale in Italy must bring back one of the following denominations of sale: a) tender grain flour paste, if obtained with sfarinati of tender grain; b) paste of semola of hard grain and tender grain flour, if obtained from the miscelazione of the two products with prevalence of the semola; c) tender grain flour paste semolati and of of hard grain, if obtained from the miscelazione of the two products with prevalence of the tender grain flour. Art. 7 special Pastes 1) It is concurred the special paste production. For special pastes the pastes agree of which to the art. 6 containing alimentary, various ingredients from the sfarinati ones of tender grain, answering to the sanitary norms hygienic. 2) the special pastes must be placed in sale with the denomination "paste of completed semola of hard grain" from the mention of the used ingredient and, in the case more ingredients, than that one or of those characterizing. 3) In case in the preparation of the paste eggs are used, the special paste must answer to requirement previewed from the art. 8 - Paste to the egg. Such it is the norm that regulated the succession of the moments of the pastificazione; it is not outside place however a speech on the quality, technological molitoria and, of the granella, and therefore of the paste. top The qualities of the paste For molitoria quality one agrees agrees the yield in semola of the granella; it is correlated positively to the ettolitrico weight, negatively to the presence of slavatura, pregermination, bianconatura, that is farinosa and not vitrea breach of the cariosside, volpatura, that is imbrunimento of the cariosside, ash content, that is the mineral content of the granella. The technological quality depends on the content in proteins, 12-16% and in particular of the equal gluten to approximately 80% of the total proteico content; from the content in carotenoidi and it is oxidized of the endosperma of the cariosside, that they influence the yellow color and its maintenance. In order to obtain therefore a quality paste, amber shining yellow of the color of the sun, than from cooked is insufficient collosa and has good nerve, accorre an optimal raw materials: semole characterized from elevated proteica percentage, good composition, and elevated contained in carotidei pigments. To beginning of the 800 Bonaiuti already reported that "to Naples the maccheroni they are not never fallen apart, the paste is to granulate and, when they are breaks to you, the inside is diamond". And here one is prevailed right precisazione: between the members they detach the starch and the gluten, on the equilibrium of which depends the "estate of the paste" during the baking. top The starch and the gluten the starch is a present carbohydrate already in the grain for the 60-70%, it in the raw paste is present under grain shape. The gluten (draws its name from the Latin gluten: glue, to which he is similar) therefore com' is is not present in the grain but shape for idratazione, that is when to the semola comes added the water, for interaction of two of 30 present proteins in the grain, the gliadina and the glutenina. During the baking, the starch grain stretches to absorb water, to swell until breaking off itself freeing its content in the water, in contemporary and to the same temperature the two component proteins the gluten, the gliadina and the glutenina, stretch to form a reticulum that withholds the starch impedendogli to disperse itself. He is obvious - and this is also a input to read the labels critically - than a paste to high starch content "it does not resist", it becomes collosa, without nerve during the baking, to the term of which the water will turn out torbid and whitish; a good paste is that one in which the gluten it will have prevented to the starch of disciogliersi, will have conserved the substances, the sapore and the natural consistency of the paste, leaving the cleaned up water much more. top Curiosity And also between estimative cotanti and cotali voice could not lack one dissent. Year 1930 ran when Filippo Tommaso Marinetti in the "Manifesto of the Futurist Kitchen" not only announced publicly l ` starchy food, the pastasciutta, than to its to say, it caused to fiacchezza and pessimism, but still vary plates and moreover in the same document, let alone in the book "published the Futurist Kitchen" in 1932, preached the abolition of the traditional condimenti, politics to table, and, in order to end, of the knife and the fork. The cost of the paste in one normal confection of 500 gr. varies from offering of? 0.33 to? 1.00 and beyond; the quality of all the members who testè we have delineated, the qualitative level of the same working in all its is made affects the final relationship

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Jie Chen, at age 18, has already established herself as to mature musician with "broad technical mastery, colorful musical comedy imagination, and the ability to communicate and moves the audience around the world." Highlights of Ms. Chen' s 2004-2005 season includes recital debuts at the Carnegie Hall and Alice Tully Hall in New York; the Checkerses Myra Hess Memorial Concert, Chicago,; the Schubert Club in Minneapolis, MN; and only recital tour throughout the United States. Upcoming concert engagements includes the Minnesota Orchestra, the Richmond Symphony Orchestra, the New Jersey Symphony Orchestra, among others. She will also make her recording debuts with "One Thousand Lakes" label and Yamaha "Flat Soft". Admitted to Philadelphia' s Curtis Institute of Music in 1998 at the age of twelve, Jie Chen made her major Orchestral debut with the Philadelphia Orchestra and Master Wolfgang Sawallisch playing the Rachmaninoff Flat Second Concert three years later. Orchestras she has collaborated with includes the Milwaukee Chamber Orchestra, the Pottstown Symphony Orchestra, the Minnesota Orchestra, and the Sanremo Sifonica orchestra in Italy. Already an experienced recitalist, she has appeared as soloist in major concert venues in the US and abroad, including the Verizon Hall in the Kimmel Center for Performing Arts in Philadelphia, Steinway Hall in New York, Hewlett Public Library in Long Island, the Hall Orchestra in Minneapolis, the Leipzig Hochschule and The Mendelssohn House in Leipzig, Germany, and the Sanremo Theatre Work in Sanreo, Italy. Ms. Chen' s performances has been broadcast by the Italian National Television Network "RAIUNO", The German Radio "MDR", the Minnesota Public Radio, and "Performance Today" of the National Public Radio. In addition, she has been featured in numerous major newspaper articles, including the "Philadelphia Inquirer", "Star Tribunes", "World Journal", as well as many major musical comedy Web site. Over the years, Ms.Chen has won numerous awards including first prizes in "Flat Arts" National Competition, "Five Town" Young Artist Competition in New York, 3rd Prize in the "8th Sanremo Classic Flat International Competition" in Italy, Grand Prize in the 10th "Missouri Southern Flat International Competition", (the jury decides not to award the second prize) and Grand Prize in the "2nd Piano-E-Competition" in Minneapolis. Alongside her only achievements, she is also an avid chamber music player. Ms. Chen was born in Guang Dong, China. At the age of four, she started playing the slowly and one year later, was awarded the first prize in the been music competition. Virtually self-taught, she was accepted into the prestigious Shanghai Conservatory at the age of eight, studying with Er-Yao Lin and Zi-Jie Wu. Three years later, Ms. Chen was selected as the First Prize winner to attend the first Music Bridge summer program in Canada with to full scholarship from the whole Conservatory, praised by international famed judge Mr. Lee Kum Sing as having the musicality well beyond her age. She has attended Masterclass conducted by Leon Fleisher, Peter Frankl, Rudolf Buchbinder, Gary Graffman, Anton Kuerti, Emmanual Ax. Ms. Chen will receive her BM from Curtis in May 05 to where she studied with Claude Frank and Seymour Lipkin. Chu-fang Huang began her slowly study at the age of seven. After winning numerous prizes since age of ten, she was accepted in to full scholarship to the Pre-college Division of Shenyang Music Conservatory as the youngest Student in 1994, to where she won the first prize at the Chinese Flat Prodigy Competition at the same year. In 1997, Miss Huang received the grand prize from the Flat Southeastern Asia Competition in Hong Kong, as well as the Young Musician Awards for her special achievement in interpreting Chinese modern music. Only 2 months after moving to America in 1998, Miss LAST Huang made her first debut in the Prodigy Series at the Jolla Chamber Society at age of 15, to where to ALPINE live recording of her recital was released under label. Soon after, Miss Huang became the grand prize winner of the California International Young Artists Competition. As part of the award, she was invited to participate in the International Music Festival in Germany for to concert tour and to CD recording under CAMUS label. Miss Huang has also won numerals top prizes including the Fort Collins Symphony Competition Orchestra, the Missouri Southern International Competition, The Chinese American National Showcase, the Nina Wide man Slowly competition, the Kingsville Flat International Competition, the Grace Flat Welsh Prize, and the Corpus Christi International Competition. Her recent winning of the Hilton Head Flat International Competition, brought Miss Huang to her Carnegie Recital debut this past November. In the summer of 2004, Miss Huang won Prizes in both the Beijing Flat International Competition in China and the Sydney Flat International Competition in Australia, as well as special prizes for her unique interpretation in Haydn and Debussy. As only Performer, Miss Huang had concertized throughout major cities of China. She has appeared as soloist with Pacific Symphony, Eastern symphony Orchestra, Fort Collins Symphony Orchestra, the Hilton Head Orchestra, and the Fort Worth Symphony Orchestra. Single Her appearances in the US includes recitals in Los Angeles, Saint Francisco, Escondido, Irvine, Pasadena, Joplin, Denver, Cleveland, Chicago, New York, Wilmington, New Jersey and Philadelphia. In Europe, Miss Huang had played recitals in the Klavier Festival Ruhr in Germany, to where she will be reengaged again this coming July. Her recitals during Holland music Sessions in the Netherlands, to where both Head Councils of Cultures from Chinese Embassy and American Embassy had attended, will bring her back this March for an European tour. Miss Huang had only appearances with the Pacific Symphony, the Sydney Symphony Orchestra, the Australian Chamber Orchestra, the Liaoning Philharmonic, the Shenzheng Philharmonic, the Hilton Head Symphony, the Fort Collins Symphony, the Illinois Philharmonic and the Fort Worth Symphony Orchestra. Having played in such prestigious hall as Carnegie Hall and the Sydney Work House, Miss Huang' s upcoming engagements will be highlighted by her Concertgebouw debut in Amsterdam, and recitals in Moscow, St. Petersburg, Paris, and Budapest, to recital tour in Chicago as the winner of the Grace Flat Welsh Prize, recitals at the Kravis Arts Center in Florida, the Young Pianists Series in Tennessee, the Myra Hess Series and the Music in the Loft concert series in Chicago, the Stokowski Society in New Jersey and at the Saint Diego Arts Center in California. Only appearances this season will be with the Victoria Symphony, the Corpus Christi Symphony, and the Charleston Symphony Orchestra. Miss Huang' s performance has also been broadcast on the Young Artists Series on WQXR Radio Station, National Public Radio in Washington, the South Carolina Station Radio, and through the Internet by the Australian Broadcast Cooperate. As the recipient of "2001-2002 Most Outstanding Student", Miss Huang Graduated from the Curtis Institute of Music with her Bachelor' s degree this May. She is currently pursuing her Master' s degree in the Juilliard School as to pupil of Robert McDonald. Dudana Mazmanishvili was born in 1980 in Tbilisi, Georgia. She received her first lessons, at age slowly three, from her mother, Tamar Apakidze. Three years later she was accepted into the Central Music School for Talented Children in Tbilisi. Dudana' s concert debut took place at the age of eight when she performed Mozart' s Slowly Concert Not. 15 with the Georgian Been Orchestra. By age 14 she played Rachmaninoff' s Slowly Concert Not. 2 with the Tbilisi Symphony Orchestra. Since then she has regularly performed in Germany, Russia, France, Poland, Italy, and the United States. One highlight was in 2001 when she played only recital in the Max-Josef-Hall of the Munich Residence, to performance which was recorded by Bavarian Radio and subsequently broadcasted several times in Germany. Another important event was her 2002 performances at the Grand Hall of the Tschaikowsky Conservatoire in Moscow. Since 1998 Dudana has been to Student of Prof. Elisso Wirssaladze at the Hochschule für Musik und Theater in Munich. This term she began her studies with Prof. Jerome Roses at the Mannes College of Music in New York. Dudana is to winner of numerous international slowly competitions, including 1992 Dvarionas International Competition in Vilnius, Lithuania, 1995 Cities of Senigallia Competition in Italy, 1996 Sarrebourg Competition in France, 1998 Chopin Competition in Corpus Christi, Texas, Isabel Scionti Competition in Kingsville, Texas and to special award winner of the 2002 Flat Tschaikowsky Competition in Moscow. Other noteworthy successes in that year were the Nicolai Rubinstein International Competition in Paris, where she was awarded first prize, and her participation in the prestigious Merano International Music Festival in Italy, to where she received the Only Recital Award. In 1998-2001, Dudana received the annual Honorary Prize awarded by President Eduard Shevardnadze to talented Young Georgians. Dudana' s concerts in 2003 included Rachmaninov' s Slowly Concert Not. 3 with the Nordwestdeutsche Philharmonie, when the Westfallen Abend Zeitung described her as to "soloist who captured the soul of the music.... She captivated the audience with her sensitive, poetic sound.... She plays with bravura and great virtuosity." Esther Keel, age 19, is to native of Los Angeles, California. She is currently in her second year at Juilliard to where she is enrolled in the Bachelor of Music program and is studying under the tutelage of Professor Yoheved Kaplinsky. She began studying with her mother at the age of three and has also studied with Professor John Perry. She made her debut with the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen at the age of 13. She was also to winner of the Ostra Flat International Competition in Italy, the Los Angeles International Liszt Competition, and to diploma-winner of the Moscow International Flat Chopin Competition. She has performed with over twenty orchestras across the United States. Most recently, she made her debut at Lincoln Center' s Alice Tully Hall with the Juilliard Orchestra under the direction of Otto-Werner Mueller as to result of winning the Juilliard Competition Concert. Kimball Gallagher attended the Tanglewood Music Center this past summer as one of five slowly fellows. Mr. Gallagher' s performance prompted to review in the New York Times: "Kimball Gallagher, to pianist, deftly balanced the influences of the Chinese folk song and Western modernity in Bright Sheng' s My Song, '" the Times declared on August 18, 2004. Mr. Gallagher' s love of the slowly began at age 4. To native Massachusettss, Mr. Gallagher has played an annual recital in Boston for the past 10 years and an annual recital in Houston for the past five. He received top prizes at the Corpus Christi Flat International Competition and at the Saint Antonio Tuesday Musical comedy Club competition. In 2001, Mr. Gallagher performed Bartok' s 3rd Slowly Concert with the Shepherd School Symphony in Houston. In New York City, Mr. Gallagher has appeared in Alice Tully Hall, Paul Hall, and Vices Hall at the Juilliard School, as well as performances at the Kosciusko Foundation and Faust Harrison Pianos. He has also played in Killian Hall at the Institute Massachusetts of Technology and at Boston Conservatory' s Seully Hall. In addition to performing in more conventional venues, Mr. Gallagher has played numerous concerts in private homes throughout the United States in emulation of the salons of the romantic it was, including trips to California, Illinois, North Carolina, and Wisconsin. Mr. Gallagher has also participated in numerous music festivals, including Bowdoin, the Music Academy of the West, Orford, Pianofest, the Prague Master Classes, Tuckamore, and Yellow Barn. Mr. Gallagher has taught and guitar for eight years and maintains to study of slowly private students in New York City. He composes music in popular and classical genres for slowly, guitar, and ensembles. He has studied with Robert McDonald, Jeanne Kierman Fischer, Joseph Smith, and Jonathan Bass. Mr. Gallagher is to graded of Rice University and the Juilliard School. He resides in New York City. I know Yoon Lee, to native of Korea, studied in her early years with Jin-Woo Chung and in 2001 received to Bachelor of Music from Seoul National University to where she studied with Hyung-Jun Jang and graduated with honors in flat performance. In 2002 she received to Master of Music from Eastman School of Music and studied with. Barry Snyder At present she is in the DMA program at the University of Texas at Austin and is studying with. Anton In. She has received scholarships throughout her study and has been the official accompanist at Eastman and continues in that role at the University of Texas. She was to 2nd Prize Winner of the 26th Frinna Awerbuch Flat International Competition of Flat The Teachers Congress of New York, Inc. (2002) and the 1st Prize Winner of the 22nd Kingsville International Competition (2003) Her performances have included soloing with the Seoul Arts High School Orchestra in to subscription concert in 1996, only recitals in Seoul in successive years starting in 1999 and only recitals in Rochester in 2002 and in New York City in 2002-2004

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Air lines ATA, 10th in the value American air carrier, declared about the protection from bankruptcy. For this purpose for $87,6 million was sold the part of the airport property and other active memberships AirTran Airways Inc. Transaction was approved by law court for bankruptcies; it, as it is expected, will enter the force at the beginning of the following year, reports NRS.com.Takim by means, ATA it became one additional American air line, which suffered from an increase in the prices on fuel- and competitive activity to the prices for the tickets.

Virginia construction liens

Emilio Salgari is born, like writer, on hangs us of newspapers; they are in fact very the five its novels that have seen the light on the pages of the daily paper. The first novel to exit, on the "New Arena" of Verona, was Tay-See in 1883, followed from the tiger of Malaysia (1883) and the favorite of Mahdi (1883/84), always on the same daily paper. The Strangolatori of Gange (1887), will exit to Livorno on the "Telephone", and the Vergine of the pagoda of East (1891/92) on the "Gazette of Treviso". Draft of witnesses remained for along time practically disowned and that only of recent, to leave from years ' 90, they have been riproposti to the attention of the readers and the students. The riscoperta one of this "lost" Salgari has carried a remarkable contribution to the acquaintance of this writer, still a lot partially studied, but that much weight has had in the history of the popular literature, at least in Italy. All the novels escapes in appendix have been, later, published in volume, often with a title various it; and all have, in varied measure, endured of the rimaneggiamenti. In the 1887 we have the volume of the favorite of the Mahdi, in the 1895 mysteries of the black Jungla (the Strangolatori of the Gange), in the 1896 pirati ones of Malaysia (the Vergine of the pagoda of East), in the 1897 rose of the Dong-Giang (Tay-See) and, in 1900, Tigris of Mompracem (the tiger of Malaysia). On the metamorphosis that these witnesses endure in the passage from the columns of the daily paper to the volumes, it has spoken for first Giuseppe Zaccaria1, but it is above all thanks to the precious work of Roberto Fioraso2 that has been possible to analyze it in complete and deepened way. The cited students, also with various shadings, substantially are convinced that there is a considerable lessening of the rough "and violent elements", in the passage from hang to the volumes (attenuation to us). Such attenuation would have been induced from external conditionings, from the infantile public which they were assigns the volumes to you - according to Zaccaria - or from the will to adapt itself to canoni "bourgeois", according to Fioraso. In other words one asserts that the author has operated of the "censorships" to the own writing. The consequences of these affirmations are, clearly, of remarkable capacity. In the first place it is asserted that, beginning from a sure date, Salgari would have become, substantially and mostly, one writer for boys. It writes, in fact, Fioraso: Salgari, that it has its original nucleus in the veronese period, and then, also with attenuations and reorganizations, will last (...), until the moment in which, rinunciando to own the velleità, it will above all accept of being one writer for ragazzi3. Fioraso seems to place the moment of the passage of Salgari to narrator for infancy around 1898, in how much asserts that the last example of the Salgari originates them would be had with the Black Corsaro: with the Black Corsaro we are in 1898 when already a yielding has happened towards the more common values and accepted and the protagonist it represents the conclusive part of the parabola of the Salgariano hero, that it begins with the Sandokan of you hang to us veronesi.4 "Yielding" of Salgari and the parabola of its writing that is concluded already to the end of XIX the century therefore! The Salgariana production would turn out, therefore, uniform in two is made: before characterized from one strongly presence of elements macabri, from the blood, the violence and the defeat of the hero in the tragic end; and a second one in which these elements they turn out edulcora you, eventually replaces from others (violence to you on and between animals) and the ends are made lieti. It turns out obvious as this vision cannot that to carry to one devaluation of the successive production to 1898. "true" the Salgari is considered that first way, while the late works are in majority relegated in the moralistico educational within; edulcorate, censured and moralizzate works. (..) the apex of what we could call "Salgarismo Salgariano" is the Tigredi Verona, with its two meant antecedent ones the wild ones to you of the Papuasia and Tay-See (...). Endured after is proceeded in reduction towards canoni narrated and ideological more bourgeois to you and perbenisti"5 The issue me seems of extreme interest is for the acquaintance of Salgari, is for the study of the relationships between author and public. To here of the personal considerations on the superiority of this or the that period of the Salgariana activity, they are reached the conclusion that these affirmations are altogether from rejecting. It will be well to examine the issue point for point. Fioraso asserts that: Synthetizing, therefore, the first Salgari, the veronese Salgari, is identified for the presence in its novels of: blood and violence, love and erotismo, tears, defeat, follia.6 Draft therefore to look at itself if these features characterize truly only the first Salgariana production and not finds again, instead, in the jobs succeeded to you. In other words draft to settle down itself if Salgari puts into effect or not, to a sure point of its career of narrator, one aware modification of the own writing turns to eliminate or to moderate the presence of these elements. The elements up to now capacities to support of the attenuation consist substantially in the elimination of some violent, raccapriccianti or sensuali scenes, and the introduction of the lieto fine in the Rose and the Mysteries. As far as the first point, it can easy be verified that scenes of that type are found again abundantly also in novels succeeded to you, until the end of the life of Salgari. Indeed, to times they possess a advanced truculenza to those present ones in first hang to us. Fioraso mark it like, in the passage to the volumes, come cassate of the bloody-thirsty scenes, references to the anthropophagy, witness cracked with the cervella that they are poured. But these topics can, in truth, to find again very well also in novels succeeded to you: When not there was in feet more nobody, Sitting Bull, armed of a tomahawak, only come down in the cañon, s' was left over through to that extended one of ADAVERI, caught up the general who had fallen in means to its last officials, cracked it the chest and levato of the heart that were still warm divorò coll' the greed of a cannibal, between urla to them entusiastiche of its four thousand guerrieri.7 (Scotennatrice- 1909) On the Frontiers of Far-West, 1909, Cover of Loved Gennaro It was not a combat; it was a slaughter. Gl' Indian, surprises, nearly fell without to fight. The women sventrate, the murdered children without misericordia, crushing they the head against pietre.(Sulle the frontiers of Far-West - 1908) The axe of war of Minnehaha had been detached increasing the wound, and from the gash they exited entirety fiotti of blood and brani of brain. (the burning Forests, 1910) The fist of the sturdy Portuguese how much nearly that one of the rajaputo, come down express, hit the wretch in full face and it made it schizzar via an eye. - You will pay to me, Height, this fist! - I scream the pariah, that she lost blood in abundance from the empty one occhiaia. (the Brahman of Assam - 1911) The rajah, like the cruel Teodoro emperor of Abyssinia, he had gone off himself in mouth making oneself to jump the cervella. - Unfortunate! - I scream the rhani.(...) The ace was all sfracellato, the eyes had been tear to you and from the ears they exited it of pieces of cerebral matter. (the Rivincita di Yanez - posthumous, 1913) The directory could continue, the raccapriccianti scenes of cannibalism of the festivity of the customs could be remembered some the ivory coast (1898), and scenes of the sort are present also in the Solitary ones of the ocean (1904), the fire man (1904) and other novels. The Fire Man, 1904, (Publishing Telatura) As it tries of the attenuation cites the fact that in the Strangolatori a ship comes made to explode killing all the crew, while that does not happen in the Mysteries; that to say then of the ships that jump, with massacre of you respect crews to you, in Naufraghi of the Poplador (1895, therefore contemporary one to the Mysteries!), The heroin of Port-Arthur (1904) or the Solitary ones of the ocean (1904)? The orrifici and raccapriccianti elements can themselves be found again, then, not only in novels, but quite in storys and the express destined production to the boys! Where, that is, the pressure of the supposed "censorships" would have had to be maximum. Here to return the topic of the anthropophagy in an entitled story, exactly, the antropofaghi of the sea of the Coral: Many are the crews fallen in the hands of those feracious inhabitants and all finished to the spit or in the pentoloni to bubble glue green sauce. The American Morrell perdette fourteen of its sailors who were slaughters to you under its eyes, braced and divorati, but returned little months after with new companions, of it made one shocking vendetta, mitragliando villages and inhabitants in great number. (the antropofaghi of the sea of the Coral, 1897-98) Before but that they lost sight the spiagge cursed of the Guadalcanar, the survivors could still notice giganteschi fires on which braced the wretches similar they. (Ibidem) Of it the Bloody Mocassino we find instead an interesting scene where, on the model of "the black" novel a pronounced sexiness is joined to taste suggestions macabro: A night, while all the tribe slept, Wallalka tightened to the chest the spouse and after to have kissed passionately it, it said to it point-blank: "I love to You equally. T' I love therefore a lot that all perdono!"Il mocassino had made a gesture you in order to escape to that grip, while a pallor ADAVERICO had been diffused on the ace (...) The Bloody Mocassino was remained like fulminato. It tried to get rid from the arms of the spouse, but those arms tightened it with greater energy. "You, the slid night, in dream, have spoken about the capigliature of Dark Broken and to Agile Foot" Wallalka resumptions with voice carezzevole. (...) "You know all therefore" churches the Bloody Mocassino shaking. "Yes, nevertheless I love to you equally" exclaimed Wallalka coprendogli the ace of burning kisses. "Dimmi: six you therefore that you have killed it " "Yes, Wallalka; I have killed your father because... because I am the son of Agile Foot the head of the Shoshoni scuoiato from Dark Broken " "just Six you that you have killed it" churches with accent still shaking the giovine spouse. "Yes: I have maintained my oath. While you sleep you to my flank I you have entered in its you stretch and I have killed it; but I love you Wallalka, t' I love to the follia"(...) A moment after, before that the Bloody Mocassino had been able to get rid from the grip, twelve guerrieri were fall to you in stretch and it they had landed and legacy (...) An Indian was jumped on the river holding in fist the bloody capigliatura of the assassin. _ what succeed after? I me the memory vaguely. Pears to have seen to me of the numerous caymans to bristle themselves on the raft and to bite the Bloody Mocassino. The show was orrendo and I svenni. I know that when I returned in me, the small lake was ridiventato calm. Only the raft, gross of blood, went to the drift. (The Bloody Mocassino, 1905) Also in this production we find again, moreover, the reference to the "cerebral matter" that fuoriesce from the skull: My uncle had stopped itself of blow jumping quickly to earth. He raised my father premurosamente and s' he noticed that it had been killed on the blow. From the forehead, cracked, together to the blood they exited of the brani of cerebral matter. (One terrible adventure on the Congo, 1905) The antropofaghi of the sea of the Coral it was published on "the Thursday" of catholic publisher Speirani of Turin; and then in small volume in the necklace "Juvenile Library Illustrata", always for Speirani. The Bloody Mocassino was published on "Psiche", review of the Blond publisher of Palermo, publisher of the "Illustrated Gold Bibliotechina". A terrible adventure on the Congo was published, in the necklace "Small Adventures of Earth and Sea - Illustrated Bibliotechina" of Speirani. The destination to the juvenile public is, therefore, explicit already in the titles them of the necklaces; moreover he is Blond man who Speirani was editori specializes to you in infantile literature and, in any case, attention to the moral content of their banns, sure much more than Donath or Bemporad - near which the author published the greater part of its novels. Roberto Antonetto filler that the program of published periodicals from Speirani was testualmente: " All, also articoletti the more the pleasanter spiritosi and storys, must be able to scatter the good seed of the vituous feelings and to instill therefore in the chaste hearts thoughts, kind affections, I proposed to you generosi"8. Tigris di Mompracem, (and.) 1900, Cover of Giuseppe Leg If Salgari did not make scrupolo to insert "the rough" elements, that we have seen, in their banns, not there is reason to think that it has been behaved various when it wrote for other editori. We have inasmuch as the late production of Salgari appears tutt' other that edulcorata. But also the affirmation that, in five novels cited in opening, the version in appendix is more and more violent, bloody-thirsty and sensuale of that one in volume me seems debatable much. In the first place, to support that the topic of the violence is attenuation object, that is that Salgari sights to eliminate it or to render it rare in the volumes, me seems a little defensible hypothesis; place that its personages kill abundantly, and completes true and own massacres also in Tigris of Mompracem and the pirati ones of Malaysia. In the same way, also in you hang to us, as an example in the Tiger of Malaysia, we find episodes of generosity and enemies save to you: the Willis petty officer first class, comes legacy and not victim of a murder, a captured English corporal comes saved and will receive as well as hung gold how much, Lord Guillonk will be saved in virtue of the promise fattagli from Sandokan. Moreover, to the attenuation examples if of others of accentuation could contrapporre: of the Tiger of Malaysia, Sandokan, during a boarding, orders to save the screw of the sailors: "Ago so that your balls do not have to bite that of the wood" (pag.17)9; of Tigris of Mompracem, in the same episode, Sandokan does not give no order of the sort and, in fact, the incolpevoli sailors come killed: "(...) uccidendogli the sailors who defended themselves disperatamente to rifle shots." (pp. 18, 20). The description begins them of Marianna that appears in the Tigreviene rifared with "more sensuali" features in Tigris where the "shapes arrogant modeled" of the girl appear: It was of medium stature, of white woman-rose-colored ink, with an admirable testolina, blue occhioni like the water of the sea, with a forehead of incomparable precision under which they enunciated leggiadramente sopracciglia arch of a clear chestnut tree, a nasino whose nari furnitures had to dilate in the temper and the passions and two labbra coralline, that they seemed mature cherries. Long hats, thin, perfume to you, undulate to you, of a lucente Blond man that seemed gold threads, came down in colorful scollacciato disorder on the busticino in means to which they detached white women roses and spilloni from the capocchia of silver. (the Tiger of Malaysia, pag. 69)Era a child of sixteen or seventeen years, from the ransom small, but snella and elegant, from the shapes arrogant modeled, the tightened belt therefore that a single hand would have been enough in order to encircle it, from the rose-colored and fresh skin like a flower hardly sbocciato.Aveva an admirable testolina with two blue eyes like the water of the sea, a forehead of incomparable precision, under which they detached two sopracciglia leggiadramente arch and that nearly toccavano.Una blond capigliatura was come down to them in colorful disorder, like a rain of gold, on the white man busticino that covered them the breast. (Tigris of Mompracem, pag. 41) Tigris di Mompracem, (III and.) 1911, Cover of L.Dalmonte Analogous, a idealizzante "forces of the love" (Tiger, pag. 75) becomes one more violent "passion that divorava the blood" (Tigris, pag. 44). To pag. 120 of Tigris, Sandokan kills three soldiers who, in the Tiger, put themselves instead in but with escape (pag. 208). In Tigris, we always find pirata that it comes clearly beheaded from one cannonata (pag. 161), particular that does not appear in the correspondent episode of Tiger (pag. 265). To pag. 254 of the Tiger, there is a wounded soldier "and all insanguinato", than, in Tigris, with expression remarkablly rawer, will have instead the "ace cracked from a blow of dark" (pag. 157). To pages 177 and 178 of Tigris, Spanish gunboat comes completely exterminated the crew of one; in the Tiger, to its place a praho appeared that, also losing half of the crew, it came then drawn in but from the participation of one Dutch gunboat (pag. 299). The Pirati of Malaysia, 1896, Cover of Giuseppe Leg Analogous, in the passage from Tay-See to the Rose of the Dong-Giang, "God" in Tay-See (pag. 204 prayed) transforms itself in "meditated the suicide" in Rose (pag. 205), a chaste kiss on gote (pag. the 260) transforms itself in a sensuale kiss on labbra (pag. the 261), "raised itself and it was put to cover the room staggering, glue you make hidden between the hands, mugolando as a wild" (pag. 282) goes "raised itself and it was put to turn for the room, mugolando like one wild animal, being torn itself the garments and the meats, crying and swearing" (pag. 283) - and one of the cited examples of attenuation from Fioraso is just the elimination of the blasphemies! Without to count that, if in you hang the protagonist made its appearance to us dressed from "five or six overlapped silk shirts", in the volume we find its "shapes admirable, seeds hidden in one long blue silk shirt". Also in Mysteries (pp. 376-77) we find of the not present killings in the Strangolatori. While other raccapriccianti scenes, can be found again in the understood one them added in the edition of 1903, like the description of fachiro the orribilmente deformed (pag. 393), moreover in these understood them the blasphemies and the blood return abundantly. Finally, in the passage from the Vergine to the Pirati, we can notice the phrase of you hang to us: "the pirati ones unloaded a last time the guns and salted on the blanket block of route to me" (pag. 131), where the "route to me" becomes "died" in the edition in volume (pag. 55). But it is above all in the understood one added them in 1902 that one is found strongly "accentuation" with scenes remarkablly more violent than those present ones in the text of 1896: we find again witness cracked, corpse descriptions macabre that float in the blood, beyond that the topic of the anthropophagy. With the added one of such scenes, between the most violent presents in Salgari, the Pirati of 1902, assumes a truculenza that it exceeds, to my warning, not only that one, modest, of hangs us of Treviso, but also that present in the Tiger of 1883. It could be continued with other examples of this type, but it seems that how much said end to me pack-saddles to deny the hypothesis of a found progressive attenuation in the writing of Salgari.Ma here, if the attenuation is excluded, which explanation to find, then, to the changes elapsed between the versions? The elimination of sure elements, like the anthropophagy of Sandokan - proclamata but of fact never put in practical in the Tiger of Malaysia - and of expressions like: "to succiare the cervella", and of other particular, objective of bad taste, he is easy explicable in virtue of that regolarizzazione of the Salgariana writing about which it speaks to Mario Tropea.10 and draft about a regolarizzazione and not about an attenuation, giacché it does not comprise only the aspects "more exasperates to you and rough, it characterizes from one primitiva ferocity" of which Giuseppe Zaccaria speaks, 11 but draft to you of one wider and general riscrittura, of a stilistico ripensamento face to render the text, except redundant pletorico and. As an example, it can be observed that the killings of the Tiger, appear to little coherent times, with how much say the same protagonists. To pag. 178, Yanez clearly seems intenzionato to only tie, and not to kill, the lookouts: "Crossed the palissades, we will crawl (sic) as snakes and we will come near to the red jackets: ten fingers around the throat, a gag waves do not have urlare, one rope in order to render them impotent, and then to the work."; and such intention seems confirmed to pag. 184: "I have my ropes, you I have the gag." He turns out, therefore, incomprensibile because, little lines after, Yanez daggers the lookout, much more than this he had not emitted no outcry. In any case, draft of killings of all the useless ones, against enemies already defeats. These scenes turn out therefore a po' forced, that is little coherent with the characterization of the personages in the rest of the novel, where they follow, of usual, they cavalleresco code; therefore, also here, simply the regolarizzazione is taken part, of which it was said before, to confer greater coherence to the text. In the same way, in the Strangolatori, we have the murder of the father of Ada, and the killing of the crew of the Cornwall, sets in action little vile and online with a Salgariano hero, that they come eliminated in the Mysteries. While a nearly identical scene to that one of the Cornwall - the sinking of the Helgoland in the Vergine - comes maintained in the Pirati, in how much draft of one loyal action of war. The Mysteries of the Black Jungla, (III and.) 1903, Cover of Alberto Of Goes them Of five novels taken in consideration, the only case in which a meaningful reduction of the macabro is had in the passage to the volume is that one of the Strangolatori of the Gange/Misteri of the jungla black. But it goes said that the Strangolatori is a text in which the macabro it assumes truly ipertrofiche dimensions, than does not find echo in other works of the writer, a lot that sure scenes often turn out ridicules or of bad taste; draft moreover of scenes that remain superficial, nearly stuck lì in order to make blow on the readers of the newspaper. Salgari, solar writer, do not seem to find themselves to its comfort with these descriptions lugubri, than they are not sure between its happier pages. Than more comprehensible, therefore, that it has intentional to eliminate them from successive editions. An analogous speech can be worth also for the lieto fine: in truth, considering the period of appendicista Salgari (1883-92), of true and own tragic ends (dead women of the protagonists), we find two alone: in Tay-See (1883) and Two thousand alloys under America (1888); while they are, without doubt, ends lieti (union of the sweethearts) those of the favorite of Mahdi (1884) and the Tiger of Malaysia (1883-84); substantially lieto it is also the end of the Vergine of the pagoda of East (1891-92), with the rescue of Tremal-Naik and its final union with the reorganized Ada. However, as it observes Roberto Fioraso just, this text concludes with the capture and the imprisonment of Sandokan; but me he seems obvious who, in this case, features of a typical "open" end that leaves to catch a glimpse one next continuation of the vicissitude: "(...) saldamente chained, the four Tigris of Mompracem condemned to the perpetual deportation in the island of Nordfolk. We will see again a day? Perhaps." And, in effects, the liberation of Sandokan will not be made to attend too much: it will arrive four years after in the Pirati of Malaysia (1896). But, very to watch, already in the Vergine prefigure the happy conclusion of the vicissitude, with the references to Muda Hassin and to the fall of Brooke. An ulterior confirmation of "the open" nature of the story of the Vergine can be found, then, in the understood one added them to the Pirati in 1902, you figure the episode of the protagonists who get rid from the imprisonment on the ship of force to you, triggering one turned to edge. The scene, maldestramente becomes part a po' in the weft of the Pirati, and is, instead, more coherent with the vicissitude of the Vergine. In fact, in the Pirati of 1896, it is not spoken about the deportation; moreover, in the version of 1902, we find Sambigliong that Tremal-Naik meets on the ship of the lord, while Tremal-Naik would have to be found captive to Sarawak! It turns out clearly that these understood constitute them the continuation of the Vergine - where in fact Tremal-Naik comes freed - and have been written probably before 1896 and later on recovers to you and inserted in the definitive version of the novel. And, in the end, "an open" end could very well be also that one of the Strangolatori of the Gange, than it is not concluded with the dead women of the protagonists, as also it would be more logical in the history, but with the madness and the imprisonment. Considering that between the Strangolatori and the Vergine that four years, it is not improbable that Salgari, already in 1887, meditated of giving a continuation to the vicissitude, fusing it with that one narrated in the Tiger, as it seems to indicate the fact that, in the Strangolatori, it is made I point out to Sandokan and the relationship of Ada with Marianna. Totally to reject, me it seems, instead, the hypothesis, that it seems to attribute to the Black Corsaro a closed "and definitive end" of character tragico12. In fact Salgari, in 1898, has already begun to write of the novel cycles, and the abandonment of Honorata on a sloop in means to the sea seems just a typical espediente from feuilleton in order preparing a continuation; that, indeed, it will reach short distance of time with the Queen of Caribbeanses (1901). The tragic end cannot be asserted, therefore, that characterizes in particular way the first Salgariana production, neither that it scompaia of all in the successive production: tragic ends "defined you" (dead women or madness of the protagonists) are found, in fact, as an example, in the Heroin of Port Arthur (1904); in the Wonders of Two thousand (1907); or, between storys, in To the conquest of Moon (1901). The Scimitarra di Budda, 1892, Cover of Gaetano Colantonio As far as, instead, the violence against the animals, that it would have to act as from substitute to that one against the humans in the late works, we find examples already many forts in the Tiger (the scene of the killing of the Tiger from part of Sandokan), in you hang us of the Favorite and in Tay-See (where there are two scenes, identical and nearly remarkablly truculente, of the sevizie and the killing of a horse from part of Notis and José). But, above all, than Salgari it was already from principle become attached to the topic of the fight with the animals, is understood clearly from the notes of the first drawing up of the Tiger, brought back from Antonetto and Arpino in their biography. On this topic, it marks itself that, in the Tiger, Sandokan and Giro Batoë they kill "a dozen of parrots and a small pig-deer", and always is from noticing that such killings, with the exception of how much it happens for the cases of the dog, of the orango and of the zigaena in Tigris, they are of all useless and the free ones. To signal then that, in the Tiger, Sandokan delivers, without appearing reason, a powerful soccer to a dog; while the episode does not appear in Tigris. In the light of when said up to now, me it does not seem sussistano valid reasons in order to support neanche that Salgari, from a sure moment in then fundamentalally, can be considered one writer for boys. To the beginning, with novels escapes in appendix on newspapers, one sure does not address the infantile public. We know then that, to a sure point - with the Scimitarra di Budda, published, in 1891, on "the Newspaper of the Children" - Salgari begins to write novels express addresses you to the public of young, and equips you of one they very recognizable appearance: they come eliminates to you, as an example, the sentimentali elements, and the history turns out only centralized on an adventure from the remarkablly simplified vicissitude. It goes however noticed that, also these last works tied to the juvenile public, constitute however one large innovation in the panorama of the Italian literature for boys. In this kind, in fact, they were dominant, to the age, of the more traditional shapes, like the fiaba with novels of the Grandmother of Emma Perodi, or Memories of a chick of Ida Baccini - and to which the Pinocchio di Collodi is riconducibile substantially also - or the story with didactic purposes, as Giannettino or Minuzzuolo di Collodi, or, edifying and still patriotic as the Heart of De Amicis. Also in Enrico Bertelli (Vamba), the umoristico system of base alloy to didactic topics us, in Ciondolino, or patriotic-nationalistic, in books like Or Native land mine! and the children of Italy chiaman Balilla. And also in Old Vittorio Augusto (Jack the Bolina), that it shares with Salgari the topic of the adventure on the sea, the educational and patriotic purposes end with prevailing. While Enrico Novels (Yambo) is novel author originates them, in which the adventurous or fantascientifica vicissitude it is, most times, a pretest in order to construct to umoristiche history pervase from one shining parodistica irony. Also Capuana perhaps - than he is the author where they make more vanished the differences between literature for boys and literature tout court - with Scurpiddu and several other novels, it chooses, in order to address to the boys, the outline classic of the infantile novel, with protagonists many young people and a diffused sentimentalismo of bottom. The particularitity of Salgari, instead, is just that one to detach from the didactic model and edifying, and is for that to assume worries moralistiche or attenuations in this author edulcorate me seem a large one dazzle. The personages and the situations are adult, also in the works dedicated to young. In the panorama of the Italian literature for boys, they come made to enter topics and reasons drawn from the feuilleton and the foreign adventurous literature; and, to times, as we have seen, even "decidedly strong" suggestions like those drafts from "the black" novel. Watching to the European example and American, Salgari it reaches, therefore, substantially to pull down the barrier between popular literature and literature for boys. Its work, explicitly dedicate to you to young, they are not other that a version leggermente simplified and private of the vicissitude loving (according to the model of Verne) of its wefts accustoms them. Considered that, the problem to establish if works like Tigris of Mompracem or the Black Corsaro (than they do not introduce however no element that the monster as explicitly addressed to the boys) was or less, in the mind of the author, thoughts for a juvenile public - that they were read effectively from that type of public is, in fact, outside argument - me it then seems to have a large one not meant. In order to conclude, it totally seems to reject also the assertion to me that "the more true" Salgari is that one of the debuts, that "veronese"; while that most mature one would be in some private way of its originality from the participation of external factors. But, based on this interpretation, they would have to appear more coherent and unitary you hang to them to us and more "it forces" the volumes and the jobs to you succeeded to you, while me the contrary exactly seems true: true "musa" the Salgariana will be that one of the known and loved jobs more; that in fact they have known to conquer an immensest consent of public, while they are you hang to them to us to risentire of external factors (inexperience, will to astonish, necessity "to swell" the witnesses, not caught up maturity of style, etc.) In the light of said how much, goes reconsidered also the defeat concept which, to said of some, the Salgariani heroes would go encounter. Roberto Fioraso illustrates its outline of the Salgariane wefts: the hero would be born "to the apex of a pyramid", then as a result of the experience of the love is forced to one chosen between the love and the war, if of it it deduces that it will have by force to renounce to one of the two. He will be, therefore, however one defeated, or from the point of view loving or that war one. Sights these premises, cannot astonish that to Marianna (but in a generalized manner to the Salgariane heroins) come attributed "characteristic castratorie quite" since clearly prevent continuing of the piratesche enterprises of Sandokan, determining therefore its sconfitta.E' that here Fioraso thinks that the true nature of Sandokan is only that one of the "tiger", of the man-wild animal. But would represent one indeed Victoria to continue to the infinite one life of incubi and one totally sterile and useless series of massacres? In Sandokan she perceives themselves, in fact, a deep fracture, cause of incubi and torments until the limits of the madness; we see, in fact, often preda of left visions, than it they remember the much blood that she has poured. (...) the voices of the victims from me immolated that m' they lugubremente accompanied in my dreams urlando me behind: assassino!... (La Tiger of Malaysia, pag. 257) Because you watch to me with those eyes of fuoco?... Because you come to dance intorno?... Also you to me Patan you come to deridermi?... Also Spider of Sea... Cursed, ricaccerò to you in hell from which you are usciti!... and you Kimperlain, what vuoi?... has not been enough therefore mine scimitarra to kill to you... Via all, the earth abysses of or returned in bottom to the sea... in the reign of the darknesses... in will still kill you all!... (Tigris of Mompracem, pag. 38) I will give one new island to you, the more gaia, more laughing, where I will not hear more the roar of the guns, where I will not see more to the night folleggiarmi around that corteo of victims from me immolated that urlano to me always: assassin (Ibidem, pag. 158) Sandokan reaches more times reaches to curse its life of pirata and, in the Tiger, it nearly seems rallegrar of the defeat that places you aim: Ruggiva in Heart to the idea of having to lose its island, but in bottom perhaps blessed the fleet that placed aim to the pirateria. (the Tiger of Malaysia, pag. 301)Quest' truly strange and terrible man who made itself to call Tiger of Malaysia, quantunque defeated, quantunque had lost its island (...) conserved in that one withdrawn a truly admirable calm. One would nearly have said that it, that a time to its reputation held us so much, was nearly content, perhaps and who knows, in bottom in bottom could be true. (Ibidem, pag. 303) Ah! - it with anger continued feraciously biting itself the fingers. - Because I called the Tiger of Malaysia, because divenni vendicatore, pirata and murderous, attracting to me I lean ire of the people whom frappongono like orribile phantom between me and she? If not the pits never be, I would not find myself in chains to edge of this ship cursed and dragged towards the scaffold. If not the pits be, giammai I would not have been divided to this being that idolatro. Cursed it is the day in which the fatality it fell to me from the throne on the spiagge of Mompracem! Cursed it is the dì that I appealled the scimitarra in order to complete my terrible one vendetta!... (Ibidem, pag. 331) - Cursed it is the dì that I called the Tiger of Malaysia, cursed is the day in which divenni vendicatore and pirata, triggering on me hatred of the people who frappone, like orribile phantom, between me and this divine child!... If not pits never be the bloody-thirsty man, I would at least not have been chained to edge of this wood, neither dragged towards the scaffold, neither never divided from this woman that therefore immensely I love! (Tigris of Mompracem, pag. 192) Hatred and the obsession of the vendetta had provoked in he - that she was a refined prince - one regression to the beastly state (tasks to the references to the anthropophagy). And, in fact, in the novel the innamoramento of Sandokan comes explicitly seen in the terms of one found again umanizzazione: "Marianna! - it exclaimed to a feature. - Marianna! - To that adored name those trabocco of ira and hatred vanished like fog to the sun. The Tigretornava man and for more lover!... " (Tigris of Mompracem, pag. 46).Qui the woman, therefore, succeeds to gain the effects of the trauma that the hero has disumanizzato and to "redimerlo". Of the rest the redentrice feminine figure, than ago to conquer one full humanity to a before beastly man, has of the ancient roots. To the beginning of the history of the human literature, in the Epic of Gilgamesh, we already find a man-wild animal that full single humanity obtains one thanks to the participation of the woman: (...) standard to he, to the wild man, your the wild art of woman, since when love mormorerà you, beasts that shared with he the life in hills will reject it (...). and by now they were all escaped the wild creatures; Enkidu had become weak person since the wisdom was in he and the thoughts of a man were in its Cuore.13 In Salgari but, it is always the Love to allow the umanizzazione, also when we have one woman-wild animal and, consequently, a "redentore" of male sex. In fact, in the Favorite, Fathma will follow the same distance thanks to the love for a man. E' to notice but that, while in the case of male protagonists "the redentrici" women are alive personages and a lot very delineates to you, in this case, Abd-el-Kerim appears one enough figure scialba and little incisive. Me it seems, therefore, than the Salgariano hero pyramid is not born at all "in top to one", but rather on the bottom than an abyss. The distance of the Salgariano hero can be reassumed in this way: from a happy past (which single it is pointed out in the narration) is passes to you, with a trauma violent, to the loss of the family and the removal from the native land, which the construction of one is continuation new native land, than but it has involved one substantial solitUdine and closing in if same, when not quite one regression to one be seeds beastly. A freedom that has for price the isolation and that therefore it ends in order to transform itself in one risen of imprisonment. To the fine ones it will be the Love to break off this isolation and, after to have gained hatred, the vendetta begins them them resistances (), allows the construction of a new and happier space than freedom. The Love, therefore, is connoted like a liberatrice force. In fact, just in the conclusive struck ones of the Tiger, Giava, where Sandokan and Marianna go to begin their life together are defined "earth of the freedom". (pag. 364) This dialectic and this distance are found again in the vicissitudes of Fathma, Tay-See and Sandokan and will return from there the Black Corsaro, where the protagonist endures the loss of the relatives as a result of a tradimento, knows the obsession of the vendetta, the solitUdine and the "titanismo", and, to the end, the redenzione through the love for Honorata, the daughter of its enemy, that she happily concludes its vicissitude in the Queen of the Caribbeanses (and also Marianna will come proclamata Queen of Mompracem). In Tremal-Naik, the story lacks the past, therefore, we do not know which reasons have pushed it to living in the maleodoranti swamps of the gangetico delta, but to part that the rest of the distance turns out analogous to the others. Moreover also Marianna and Ada, riusciranno, thanks to the love, to exceed theirs traumi and their isolation. From a part the Love from the other the trauma, the loss, the suffering. Copy to this purpose how much happens in the Vergine/I Pirati where the trauma it provokes the madness of Ada quite and must be removed from the "psichiatria" somewhat originates them of Sandokan. One of the points to put in relief is that, while the violence of Sandokan in the Tigreè totally without sense and aim to if same, - it is not time, as an example, to reconquer the throne that it has been embezzled, and therefore solo is shaped as a mere ossessiva repetition of violent actions of which the pirata one it appears captive - in Tigris, will be Marianna to throw the seed of the future return of Sandokan to its throne. The child, in fact, operates the transformation of Mompracem, redimendola, from broods of bandit to native land. Therefore Sandokan will be only equipped of an ideal that will transform its sterile vendetta in one fight for a objective. This aspect me does not seem still has been evidenced, but not secondary importance seems to me, a lot that Salgari in Tigris has changed totally the sense of a step for introdurlo: - Sandokan - diss' she with voice that did not shake. - and if I remained between these prodi to Mompracem? And if I by now broke the invisibile tie that me alloy to Labuan? If I became one enemy of that derisoria native land that I do not love more, and from which I did not have that one blood drop? And if I finally became as they are they one announced publicly, dillo, Sandokan, dillo, Tiger of Malaysia, I would love me you equally? - You, Marianna, to remain to Mompracem! - Sandokan exclaimed precipitateing itself towards of delirious she. - and you would be able to make it, amor mine - I want! - the giovanetta exclaimed fiercely. (the Tiger of Malaysia, pag. 291) - Sandokan, - it said with an accent that it did not shake. - If you said renunciation to you to yours sold and to the pirateria and if I broke in order always to the weak person tie that me alloy to mine compatriotti and adopted for native land this island, would accept you? - You, Marianna, to remain on my island? - you want? - Yes and I swear to you that I will not take to the crews that in defense of my earth. - Mompracem is adunque my native land and here I remain! - (Tigris of Mompracem, pag. 173) As one looks at, if in the Tiger there is the pirata one by now tired with its life obsessed from the violence, in Tigris is already the Sandokan of novels succeeded to you, what it runs in aid of the others and its reign is resumed. Oltretutto, an epilogue that saw Sandokan to remain pirata like before with solo, in adding, the possession of the woman - nearly a preda to put together to the treasures already accumulates to you - would presuppose a totally passive Marianna, that it cancels its personality in order To adapt itself to the wishes of the man; but this would betray the feminine personage Salgariano totally, rendering it flat and convenzionale.Non me it seems founded, neanche the assertion that the love is seen in antite to the male friendship. It will be in fact Yanez that will render the union of Marianna and Sandokan possible, finding the way of sottrarla to the lord and saving them the life. Moreover a Portuguese, to the end of the vicissitude, accompanies Sandokan to Giava, neither looks at some element that she indicates one fine of the friendship between the two. As far as the relationship between Sandokan and its men, of friendship the case does not seem to speak to me, and in any case, the survivors of the men of Sandokan, equally follow their ancient head and their "Queen". Also that "the love excludes the war", is not then therefore pacific, if Marianna, become Queen di Mompracem, participates actively to the defense of its new native land and, in the Tiger, door quite personally the bombs and tip the spingarde: The entire day was last around the trenches and to earthwork and the batteries, where the same Marianna was striven helped from Ladgia, one true guerriera, to place in battery one small spingarda. (Tiger, pag. 287) Queen di Mompracem, beautiful and sparkling of gold and pearls as the previous evening was here in order to animate them. She encouraged the uni, with a smile that made them to rave vieppiù, stimulated the other glue voice, salted intrepida on the batteries to aim same she together to Ladgia the guns and carried with those its delicate small hands the bombs giving the example to all. (Ibidem, pag. 292) In kind, in the Salgariani witnesses, we find the protagonist that she combines the loved woman after to have defeated the enemies who hindered it and to have old the own ones traumi. Therefore, in so far as, I do not see the reason to speak about one defeat of the hero. Other thing is if, with defeat, s' it means something thinner. In the first place we have inasmuch as there is a defeat that does not appear in the novel but of it is presupposed (clearly here the model represented from the Conte di Montecristo). There is then also an other defeat, plus hidden, sottintesa, that one, so to speak, "historical". The heroes of Salgari fight a rearguard battle, and from this point of view they are aware of the ineluttabilità of their defeat. The conflict is that one of the antichi values (loyalty, courage, generosity, cavalry...) against a more and more technological, eager world of dominion, impersonal, where these values scompaiono. It appears clearly that this ancient world, of the prodi, is destined soccombere to the force. Sandokan, in fact, fallen Mompracem exclaims: "the forts have won crushing the prodi. The fatality was inexorable." (Tiger, pag. 304) The space of the adventure seems, therefore, to disappear, every Victoria cannot that to have a temporary character, one attended truce in of a new attack. True a Victoria becomes, therefore, possible to achieve itself single on a personal plan: Sandokan will not be able to defeat English, but it will be able to marry Marianna and, subsequently, to save the friends Ada and Tremal-Naik.

Southwest airlines

Airline Southwest Airlines is the oldest budget airline of peace and is known as the pioneer of the concept of malobyudzhetnykh (or low-cost) air transportation. It is necessary to note that Southwest Airlines not was the inventress of concept itself (superiority it belongs to the California PSA - Pacific Southwest Airlines, ischeznuvshey in 1988). Merit Southwest in the fact that it caught and brought revolutionary undertaking to the success. Today the model of business Southwest is classics, and all opened low cost airlines take from it an example. Trailblazer. Southwest Airlines Brought into the air transport branch many innovations. Many required attributy of contemporary budget airline by the first were tested and inculcated precisely in airline Southwest. It first in the world forewent the paper airline ticket, began to armor the places through the Internet, it began to use a park of aircraft only of one type and to make landing in the salon on any vacant places (in order to reduce the time of flight line). Airline Southwest to the perfection brought such basic element of concept as the construction of route network from the short mnogochasotnykh voyages. In this case for the rapid revolution of aircraft the airline tries to fly into the vtorostopenennye airports. High productivity of labor is ensured by unique intra-corporate culture and system of the motivation of personnel (Southwest Airlines she became the first important airline, which introduced the system of the separation of profit between the employees of company). History. Everything began in 1967, when two clerks - Herb Kelleher and Rollin King decided to establish in Texas airline by the name Air Southwest. By the owners of new airline was necessary already three years, in order to obtain flight clearance from the aviation authorities OF THE USA. As a result during June 1971 the airline, renamed in Southwest Airlines, carried out the first voyage from its home airport Dallas Love Field. In the first years of its existence Southwest she was small airline, which operates several air lines on the southwest OF THE USA. But already at that time reputation obtained its extremely low expenditures and scant onboard service, which included only free nuts and water. Under the conditions for the rigid government control Southwest Airlines it did not have the possibility to be developed and to enlarge its route network. Everything changed in 1978, when the authorities OF THE USA accepted the law of the "open sky", which removed all limitations in the delivery of licenses for flights through the territory of the country. In unrolled following this to the rigid competitive activity Southwest Airlines it became one of the airline- conquerors. The lowest consumption (almost 2 times lower than in competitors) allowed company to propose the lowest tariffs and to enlarge its activity throughout the entire territory OF THE USA. Today. Southwest Airlines - the third airline of peace in a quantity of transported passengers, the most important in the world budget airline and the most important airline on the domestic airlines OF THE USA. The park of airline consists of 500 aircraft (only Boeing -737 the newest model). On the sums 2006 the airline transported 84 million passengers. And already more than 30 years brings profit to its owners.

I can play guitar drake bell

Elvin Bishop began to play blyuz in the times, when a question "can white fellow play blyuz?" were caused the discussions, which were being concluded with fight. A question of strange, since the white fellows played blyuz at least from the beginning of the epoch of sound recording (about which testifies at least the album "White Boy Blues" into a series "Roots'n'blues ', represented audiosvidetel'stva, beginning from the second-half of the 20th it is annual). However, in connection with Elvinu to Bishop this question to place justifiably, necessary only slightly to sharpen: can play blyuz white fellow with the appearance of French film actor? Bishop in blyuze - large humourist, the artist of conversational genre. It is agreeable concerts, but also albums it fills with everyday anecdotes about that, for example, that precisely indicates expression "in my stall it kicks another mule" or "from what it begins fishing", described by recitative above lazy shaffla. "it continually arose and departed, and when it returned, in it occurred the place for the following bottle of beer", this history acquires in Bishop's account ominous- endless environment, described to the accompaniment of "espionage music". In general, composed its Memphis Slim, but Bishop returned its action in the new times by remark "impede, barmen, 4 banknote of house he forgot". But, where the words do not be sufficient, about the mountain of person, who visited into the bar with fifty dollars, but who left with two cents, sings guitar by slide. In the personal life Bishop finds quite sufficiently subjects for the sketches: "when fries the sun, my dog is dragged along in the shadow. To work to it is not necessary entirely, to this he has the best friend - man. Then if I get drunk vdrebadan, my dog will show me road home, here such in me dog, old good dog. You want to listen to, as it voyet?_________ But here, as my dog gavkayet... _________" , where the through-line, in the concert sounds slide- guitar. And it really voyet, and it gavkayet; and these are only garish tricks, only is that which is immediately noticeable. The intimate and amorous knowledge of tool and the experience of the fourth decade of game lies after them. However, not randomly this khokhmach used the respect for the trailblazers of the fate- slide: Football shirt of Bloomfield and Dyuana Of ollmana. Yes, Elvin Bishop began in the times, when at the fate- musicians they looked not as to the simple fellows, who knew how after school to immediately hammer together million. To the fate- guitarists in the 60th they regarded at the trailblazers, provozvestnikov and insurgents. And Elvin was then in the very sediment of events. Now to it 56, and in the song "reduce speed" it it sings, which wants to continue to note birthdays. Assuming interviewer in its own house (that to the north of San Francisco), he speaks: "I used by all, than it is possible, from its youth. And I cannot separately condemn those, who in this plan play pranks now, be it drinking bout or girl, because 4 itself lived so ". To it 56, but it is married only 13 years, its junior daughter 10, and by elder 20... To Bishop yet not there was eighteen, when it proved to be in Chicago - 1960- m to year, exactly on the eve of the events, which forged from black Chicago blyuza world fate- music. It grew in the state of Oklahoma and from five years it milked cows. Entire black farmer work it izvedal on its own skin. Segregation was the standard of life. "any attempt at the contact strictly was condemned. We have the small fountains for the drink separately for the white, separately for the blacks; snack for the blacks, snack for the colored. And into the train blacks sat down themselves into the tail of railroad car. I recalled in the song "this train it left" about this, says Bishop. To his honor it is necessary to note that in spite of the complete impossibility of contact with afroamerikantsami, it managed to catch the virus of blyuza, simply listening to the medium-wave radio stations, which transferred music for the colored. Radio receiver was size refrigerator, about which recalls Bishop in the song the "radio-bugs" from the last album. (Blyuz - author's and autobiographical music. Frequently finding the subjects of songs in its own life, Bishop again demonstrates, how really he blyuzmen in the soul. In the "radio-bugs" together with his contemporaries by Charlie masseluayt and Dzho Louis by Walker he recalls the abbreviations of the names those stations, that they brought to them blyuz in the youth and the adolescence, it pronounces their rough accords with the amorous irony.) Radio was window into the peace from dusty Oklahoma. And Bishop learned in the school on excellently. "college was my ticket from Tulsy", he says, implying that the only method to be pulled out it was leave to learn. In the family not there was money to the studies. Elvin tried in the school and was voznagrazhden national allowance. It went to Chicago to learn on physics, and national allowance proved to be pass into blyuz. on the second day in Chicago Bishop it saw young person, who played blyuz on the guitar. It sat on the steps, next stood beer. "in those times of white, who was interested in blyuzom, I could compute on the fingers, so that this was something, recalls Bishop. - I stopped and addressed to it. It proved to be, he is fascinated by labial harmonic. And we immediately became friends ". Young person they called the floor Of batterfild. Chicago blyuz was in the force. In the city worked more than two hundred blyuzovykh clubs, and in any evening it was possible to hear Maddi of Waters, Litl Walter, Khaulin Of vulfa, which were being located in the bloom of forces. And Ascending - Medzhika Of sema, Otis Rasch, Baddi Of Gaius... It is another matter that the white persons in such clubs were encountered not frequently, and a good company for the marches would not there prevent young students... By the way, and Masseluaytom, with the years by the become coryphaeas of blyuzovoy labial harmonic, they made friends precisely in such blhz- marches. "once I visited into the pawnshop on Clark- Street to look anything for the guitar. 4 began to strum, and fellow, who worked there, he asked me, does please itself me blyuz. I said "certainly", it took guitar and played something striking. In me simply roof it laid ", so Elvin Bishop recalls acquaintance Maykom by Bloomfield, by the future first white genius of slide- guitar. Three together and by pairs they walked on the Chicago bars, being impregnated shityu blyuzom of classicists and accomplishing the first outputs to the scene. The hostile attitude of public it was necessary to encounter by it, but blyuzmeny, after being convinced of the truthfulness of their tendencies, took them under their wing. Batterfild began to play in bende in the the legendary Of khaulin Of vulfa, but Bishop - in not less legendary, let and less known Chicago bugimena Hound Taylor's great dane. In the album of memory Hound the great dane of Taylor (firm "elligeytor") Bishop tells: "this it was 1962. To me yet it was not carried out by 20, and 4 very recently arrived into the large city of Chicago from Tulsy, the state of Oklahoma. And I was introduced and was obtained work in Hound Taylor's great dane. This was that another fellow. 4 to it it were pleased, because could play "refuge" (this new instrumental of tekhastsa of King's Freddi in those times it were presented by the higher school of gitarnogo skill. - AU). Then each Chicago blyuz-bend had to possess the guitarist, who could play "refuge". It not very much time returned to rehearsals. We were gathered in its house from time to time, it advanced hen wings, and we drank on the cup of whisky, and then labali to vapor of songs. But when began concert, it never played not one of these songs. It simply assigned rhythm. He spoke anything like: "to 31, let us give fanka!" (amateurs strictly of "fanka" request not to worry. This expression in the blyuzovykh circles of spokon of century indicates to nothing the not forcing cheering bright rhythm.) "Hound Dogs was that another fellow, continues to insist Bishop in the interview" Blyuz to revyu "past year. - he played in the cheapest institutions of Chicago, where walked only drunkards, prostitute and those, who sat on the cheapest benefits. He was from those, whom exactly this pleased itself. There stress was always on the highest note ". By the thanks to Bishop, it determined the source, which feeds rigid, through the edge beaten power engineering of irresistable- primitive the bugs -blhza of six-fingered guitarist. Hound Dogs Taylor remained idol for Bishop as a number of other famous or forgotten now musicians, whom he saw and heard on the scenes of Chicago podval'chikov: Otis Rasch, little Smoki Of smozerz and Lyuter Ellison. But came time to youths independently to leave into the Chicago blyuzovyy light. Batterfild in blyuz-bende Of khaulin Of vulfa was introduced to the drummer Semom Leem and bass Jerome Arnold. When it secured a constant work in the club "in large John", it enticed to itself this rhythm- section Of khaulin Of vulfa by large earnings. Bishop, Bloomfield and Batterfild earlier played together. But from this point on, officially appears the "floor Of batterfildz of blyuz-bend" - the first, where played together blacks both white and the first, where blyuz entirely became fate. "in large John" we played six nights in the week, recalls Bishop. - A in Chicago clubs are opened to 4 mornings on the working days and to 5 - on Saturday. We played on six departments each evening and seven - on Saturday. For the young musician - this is a good school ". But heavy child labor at the farm Bishop did not recall. This was another matter! "to me simply it transported, that I was there, because Bloomfield and Batterfild were always full heat. By semmi and Jerome they possessed present experience... Many musicians, who play on the clubs, are gradually penetrated by thoughts, that it is simply necessary to win back night. Such not there was never in the group Batterfilda ". Great success awaited group. In 1965. the "floor Of batterfildz of blyuz-bend" with the luster and the triumphal scandal came out at blyuzovom festival in Newport and wrote down the debyutnyy album, which lay cornerstone into the construction of blhz- fate. Batterfild and Bloomfield were acknowledged by the virtuosos of their tools and by the stormy petrels of new musical ideas, and companion-in-arms Bishop suddenly proved to be in the shadow of their success. Bloomfield left group after the record of the second album (by the way, in this album Bishop is for the first time represented and as the vocalist: he sings in the song "there is never do not speak""). The third album was dedicated to Bishop's ascending to the post of leader- guitarist, since was called "revival Pigboya To krebshou", which was the nickname of Bishop's khokhmacha in to the circle of friends, in Russian a kind of "svinopas-buzoter". However, potential the "floor Of batterfildz of blyuz-bend" at the beginning of the 70th was already exhausted. Possibly, exactly because the musicians attempted "to live rapidly". Floor itself decided to try to begin anew with the large composition, he assembled group the "best days" with the participation of wind section... And it departed from the blyuzovogo size. "best anything this sounded, when Batterfild fulfilled 12- clock blyuz. But at some moment democracy whipped us, as a result the group spread and lost face. I wanted larger right of suffrage. Only, that it was possible to make, this very to become the owner of situation ". Entire trinity moved from Chicago to blessed California, but their musical ways were radiated forever. (I long ago is already from these three living only Bishop.) In California to guitarists it lived especially "rapidly". Bishop became friends with one additional magician of blhz- fateful slide- guitar - Dyuanom Ollmanom. In the album "ollman of brazerz" "Fillmore is true" it is published the record, where this most popular at that moment group actually accompanies to Bishop, who fulfills his song "fellow with the drunk heart". (I of dyuana Of ollmana very long already no with us.) the 70's amused Bishop by popularity. By Thomas he wrote down its song "durachilsya and fell in love itself" with the vocalist Of mikkey, which rose to the third position in priest- Heath. Bishop wrote fatty tearing slide and durachilsya on the concerts, he came out in the overalls, representing the type of the undispairing negligent, but inoffensive worker. Its song- humoresques, in which little which remained from blyuza, cheered public. It flashed on the tele-show, and the top of career became invitation in the show of David litterman (transfer, dedicated to the babble of celebrities). However, in the second-half of the 70th the firm "kaprikon", which dealt with Bishop's plates, it became bankrupt. Success flew away from the hands. In the subsequent twelve years Bishop wrote down only two albums, on to one V by Star and news-writer... Blyuzovaya fate achieves ordered spirals.... Bishop felt himself by professional, playing in blyuz-bende Hound Taylor's great dane... The history of Chicago firm "elligeytor" begins from the record of album Hound Taylor's great dane... Bishop's return to the blyuzovye circles occurred precisely because of the firm "elligeytor"... The album of 1988 was called "large merriment". Bishop continued to adhere to the principle of the club success suffered by it: "if to public not it is gaily - following time it will not arrive". The founder of Chicago "alligator" Bruce iglauer considered that a large quantity of kaver- versions of blyuzovoy classics by the new album only decreases the interest of public. Prover'te - there is no other blyuzovoy firm, which let out so few new versions of immortal, but infinite "of Xuci- heap". Discussing the plan of the second "alligatorovskogo" album, Iglauer of oserchal, after learning, that Bishop intends to write down too many kaver- versions. "4 I do not remember, what precisely, says Iglauer, but these were the songs, which, in my opinion, wrote already too frequently. And I said to it that if he them writes down, then albeit will already at the same time write down "God, blagoslovi America". "this me angered, recalls Bishop, we simply took that track itself, iz"yali of vokal, composed new text and put it directly on the old record ". The result Of iglauer it proved to be is very contented, although the old song to the new harmony was called: "do not make possible for chief to be sat down to you on the neck". Specifically, it gave name to entire album. Two first albums of Bishop on "elligeytor" were not especially interesting from the point of view of the amateur strictly of blyuza, these. Gitarnye breyki were short and malozapominayushchimisya. Instrument numbers were longer, but they were memorized so badly. It seemed, in the arsenal of guitarist remained several old those checked it was special effect, in performance of which it feels itself confidently and use they economically... Only third album "Ace In the Hole" (that, pardon, indicates the "rein under the tail", or the "awl into the back") certified that we still deal concerning the guitarist of the highest qualification. But blyuzovosti to Bishop did not be sufficient to entire album. Toward the end it rolled down to the indistinct in stylistic sense and uninteresting in the content "muzychke". Resembling about the bylykh priest- merits, he wrote down the instrument version of its only Heath so, as if to it was necessary demo- record for obtaining the work on cocktails and presentations. However, any of these three albums presented songs glorious in blyuzovom sense. But the main thing, the concert album, dedicated to the 20- anniversary of firm, it demonstrated, that Elvin Bishop - not only phrase book, but also guitarist! The last year's album of Bishop proved to be quite blyuzovym, and most serious among his solo works for entire long career. In it, it goes without saying, there is a place also for the jokes. But, as if themes force, much is returned and to serious gitarnoy game. In title "its jacket" it rehearses about how it is difficult to people to understand each other, as many occur by the prisoners of "its belfries", as they cannot remove from "their jacket", also, as a result: "white cannot understand blacks, blacks do not entrust to white; old men do not love young generation, young people do not hear old men ". Arrangement is nashpigovana like by typical bishopovskimi "comic" saksofonnymi riffami, but stress of slaydovoy game does not give "to pokhikhikat' and to forget". In this joke - too great a portion of truth, and the truth of bitter. Bishop possesses the so necessary for blyuza unique, author's sounding of game and emotional expressive instrument improvisation. "I always tried to include so much slaydovoy game, as soon as it is possible, he says. - it compensates deficiencies in the voice, which i, according to the large calculation, ever and not had. By slide you can sing in the manner that it wants, and not to recall about the limitations of vocal range ". The theme of average years penetrates the album as red thread. It notched 56- summer Bishop pozdnovato, but it is strong: "decrease speed", "long shadows", the "man of average age"... Marries album the sad song of the Mersey Dii Walton about the shady lane, which begins from the lines about the "farewell ringing of bells" and concludes with the words: "4 I want nothing to be proper to the peace, when I lie in the shady lane" - nothing similar on the previous albums Bishop cannot be imagined! What thin here lies connection - not to decipher. Not too glad thoughts in a some manner gave Bishop's blyuzu the confident and solid gait of classical Chicago style, but slaydovaya game found ponderability and volume. Not without reason many times are noted that age to blyuzmenu - for the benefit.